Yao’s album was released in 1999, consisting of mainly poems written by his wife Zhilian Cao. The content is organized not by logical relations of causation, but by the principle of randomness. The rhythms and melodies sound fragmented, which is precisely their source of attraction. One feels like stepping into a fascinating and complex paradox of refusal and seduction. It is said that this is a deliberately designed experiment on the Han Chinese character. Listeners of this album are no longer passive but rather, active creators that become part of this fabulous sound adventure.

這是聲音藝術家姚大鈞先生的著名唱片。這張唱片發行於1999年，主要是詩歌朗誦加上重度采樣拼貼。大部分詩歌內容來自其妻子曹誌漣的文學作品，由曹誌漣本人朗誦。文字之間並不存在因果關系，也是隨即拼貼的結果。旋律看似破碎，細聽之下卻有妙極韻味，充滿神秘的吸引力。在聲韻和語義的撞擊之中，你仿佛被推入一個情節跌宕起伏、撲朔迷離的故事，訴說故事的人卻又好像在拒絕你對其世界的入侵，欲拒還迎，欲說還休。有人說，這是姚大鈞意圖進行的漢語實驗。這張唱片的聽眾不再是被動的聆聽者，你要成為一個主動的創造者，加入這場聲響的探險。